April 14 African American Historical Events

* Today in Black History – April 14 *

1775 – The first U.S. abolitionist society, the Pennsylvania
Society for the Abolition of Slavery, is formed in
Philadelphia, Pennsylvania, by Quakers. Benjamin
Franklin serves as its first president.

1868 – South Carolina voters approve a new constitution, 70,758
to 27,228, and elect state officers, including the
first African American cabinet officer, Francis L.
Cardozo, secretary of state. The new constitution
requires integrated education and contains a strong
bill of rights section: “Distinctions on account of
race or color, in any case whatever, shall be
prohibited, and all classes of citizens shall enjoy
equally all common, public, legal and political

1873 – The U.S. Supreme Court decision in Slaughterhouse cases
begins process of diluting the Fourteenth Amendment.
The court says the Fourteenth Amendment protects
federal civil rights, not “civil rights heretofore
belonging exclusively to the states.”

1906 – The Azusa Street Revival — proto-mission out of which
the modern Pentecostal movement will spread world-wide
— officially begins when the services led by African
American evangelist William J. Seymour, 36, moves into
the building at 312 Azusa Street in Los Angeles,

1915 – James Hutton Brew, “Pioneer of West African Journalism,”
joins the ancestors.

1943 – Howardena Pindell is born in Philadelphia, Pennsylvania.
She will become an accomplished artist. A student at
Boston and Yale universities, she will receive several
art fellowships and travel the world to create art that
reflects a clear artistic vision and an intense
commitment to issues of racial and social injustice.

1969 – The student Afro-American Society seizes the Columbia
College admissions office and demands a special
admissions board and staff.

1991 – A major retrospective of the late Romare Bearden’s
career and work opens at the Studio Museum of Harlem.
Entitled Memory and Metaphor: The Art of Romare Bearden
1940-1987, the exhibit includes 140 oil and watercolor
paintings as well as numerous collages that chronicle
his exploration of abstract expressionism, social
realism, and reinterpretation of classical themes in
art and literature.

Information retrieved from the Munirah Chronicle and is edited by Mr. Rene’ A. Perry.


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